Rector of Tullabeg: 1 June 1959-2 August 1965
Sidney Blanche Fuller was the daughter of Abraham Fuller and Fanny Ann Armstrong. She married Doctor William Moore of Moore Lodge, County Antrim. They had five children: William Moore, John Moore, Alexander Moore, George Abraham Moore, and Sidney William Moore. Doctor William Moored died 17 April 1900 at the age of 71 and left his wife £2000, his plate, pictures, and household effects, as well as an income totaling £7000. His property he left to their eldest son William.
Charles Bagot was the husband of Sidney Mary Armstrong.
Maria Connolly was born around the year 1833. She married Reverend Abraham Stritch Fuller on 5 Jun 1855 at Saint Peter's Church, Dublin, Ireland. They spent their lives together in Dublin, until Maria Fuller died in December of 1912.
Rector of Tullabeg: 22 March 1953-1 June 1959
Evie Hone was born in Dublin into an established Anglo-Irish family which had previously included distinguished Irish artists; she was a descendant of Joseph Hone, a brother of Nathaniel Hone. At the age of eleven she became partially lame from infantile paralysis. A visit to Assisi in 1911 made a profound impression on her. In 1918, she attended classes at Westminster under Walter Sickert (1860-1942), after which she went to Bernard Meninsky, who in 1920, advised her to study in Paris. In 1921, together with her friend Mainie Jellett (1897-1944), they worked first under André Lhote and later in 1921 they persuaded the cubist painter Albert Gleizes, to take them on as pupils, where they worked until 1931. In 1924 with Mainie Jellett, Hone exhibited at the Dublin Painters Gallery.
In 1933 she began to work in stained glass, joining An Tur Gloine and getting her first commission for Ardcarne near Boyle in 1934. She worked with An Tur Gloine until it closed in 1944. Hone’s early paintings, of the period when she was exploring Cubism, are often difficult to distinguish from those of Mainie Jellett, but she had a more committed sense of colour.
In 1943, she was a founder member of the Irish exhibition of Living Art. Her work can be found in the collections of the National Gallery of Ireland, the Irish Museum of Modern Art, Hugh Lane Gallery, Ulster Museum and Crawford Gallery. A memorial exhibition was held in Dublin in 1958.
Evie Hone produced some seventy-four windows in the twenty-two years during which she worked in stained glass. Her reputation may rest largely on the expressive intensity of her stained glass output, but she was an artist who closely involved herself in the Irish art scene in a number of ways.